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Not a Pro? Don’t worry – OlliOlli World welcomes you with open arms, allowing new players to tear down streets and pull off sick method grabs without fear of faceplanting the curb. Play at your level: Super tight controls combine with highly refined gameplay to ensure a silky smooth ride.All perfectly complemented by a hand-picked compilation of IDM and Electronica tracks. Find your grind in Inflatable Alley or blaze down Los Vulgas to discover new paths, fresh side quests, rad rewards, and epic trick opportunities. Welcome to Radlandia!: Take a trip across a lush skateboarding utopia that is filled to the brim with eccentric characters and vibrant locations that are begging to be explored.OlliOlli World marks the third entry in the critically-acclaimed OlliOlli series from Roll7, the BAFTA and multi-award-winning studio. Experience the accessibility, depth, and player freedom as you dive into the signature flow state gameplay of OlliOlli World. Challenge the world in Leagues or dare a friend to beat your best tricks on one of millions of sharable levels. Customize your character’s looks, tricks, and style while you experience explorable levels with multiple paths that provide an array of opportunities for player expression. Traverse a delightful and weird world as you take on missions, challenges, and make new friends along the way. Journey through the five Flowzone Layer regions: from the cotton candy clouds of Cirrus through the lucid midnight woods of Cumulus on your quest to the lost city in OlliOlli World's final DLC! Available Now. Glide and grind above the clouds as you ride the winds to the lost skate-cropolis in the sky: Radlantis. VOID Riders brings a brave new world of challenge and space-age gear as you prepare to enter the alien home-planet: the V.O.I.D. Extra steezy extraterrestrials are intent on acquiring Radlandian skate specimens for their leader, Nebulord. Sit like his grandsire cut in alabaster? Why should a man, whose blood is warm within, I hold the world but as the world, Gratiano Ī stage where every man must play a part,Īntonio answers Gratiano's concern for his state of mind with a bit of fatalism. Gratiano, a jolly fellow, advises Antonio to not concern himself so much with his business affairs, as those who worry too much about their wordly goods get no pleasure from them. They lose it that do buy it with much care You have too much respect upon the world: That they'll not show their teeth in way of smile Ĭommenting on Antonio's depressed state of mind, Solanio comes to the conclusion that mother nature makes some "strange fellows" who will laugh no matter what, and others who will smile at nothing. Some that will evermore peep through their eyes Nature hath framed strange fellows in her time: My ventures are not in one bottom trusted,Īntonio tells both Salerio and Solanio that his wealth is not dependent upon the fate of one ship, nor solely upon his business interests for that year. Salerio explains Antonio's troubles by saying that he's worrying about the safety of his fleet of merchant ships. In the opening lines of the play, Antonio tells his friends that his chronic depression is depressing for everyone.Īntonio has just said that he does not know why he is feeling so sad and weary. Notable Quotes from The Merchant of Venice When he shoots fire balls at you, jump or run away from them. When he shoots ice balls at you, run away from them. However, if you get slashed, you will lose all your rings and fall into the lava. Go just under the big eye in the middle of the slash. A short time later he will get mad and attack with all six claws. While playing as Super Sonic in the final showdown against Dark Gaia, when he has all his small eyes open, he will try to slash you. Use the following trick to dodge Gaia's six hand attack. The score is an "S" or "C", so watch your time. Attack the eye, look all around for flying rocks, and hit the last eye. Start hitting the side eyes, and dodging the rocks that are ahead, which get harder by the eye, until he opens his middle eye. You will need at least eleven rings to attack an eye. Start collecting rings, and attack Complete Dark Gaia's eyes (seven in total). The levels get more difficult, so be careful. You must do this three times, each time for one eye. Run to the Speed Dash, and hit the correct combination. Start running through the Gaia Colossus, and dodge Dark Gaia's tentacles and bullets. When Dark Gaia opens his hands, quickly hit him with two hands or let him swing his arms and dodge them, giving you a chance to hit him with a normal punch until you finish him off. You will first play as the Gaia Colossus against Dark Gaia. Jump, then watch for the homing target, and give it to him. Finally he will move to your right again and try to pincer you. He will then move to the middle of the screen. The pattern of how they come at you depends on how their engines fire up watch closely. He will start on the right-hand side and fire three missiles. Once he is down to a certain amount of health, a side view will appear. Jump then dash in to him when this happens. This fight consists of him releasing three boxes from a distance (just run around them), then moving in close to pincer you. Eggman's first robot, Beetle, collect the coins so you can dash him when he tries to pincer you. If done correctly, Sonic will start with a Spindash boost. In a day level, press Circle during the starting countdown between "1" and "Go". They might have an unlockable item for you. Getting unlockablesĪlways talk to the townsfolk/villagers more than once. Look at the lower right of the screen to point yourself in the direction where hidden objects are located. To get more points for Sonic the Werehog (Dark Sonic), just destroy everything you can find. Play the final mission, and complete it with all hidden items collected to unlock the "Sonic Omake" sequence. Sonic Omake intermission sequenceĮarn an "S" rank on all missions to unlock the final mission. ConsoleMods.Corey Feldman Interview Final Adabat bonus missionĬollect all Art, Music, Secret Documents, and Movies except for #36 to unlock the Final Adabat mission. Any tech related posts not in there will be removed. Rule 7: posts must be within the weekly megathreadĪll tech related posts must be posted inside the tech posts megathread. Post that are vague like "Help Me" or "Troubleshooting" will be removed with no warning. Your post title should let the user know what your post is about. Rule 6: Post titles must have accurate descriptions and be properly tagged. This includes linking to your let's play channels. Exceptions to self promotion will only be made if you contact the mods, get approval, and follow reddits 10:1 post ratio. No advertising, selling, buying, trading, asking for free or self promotion. Rule 5: No advertising, selling, buying, trading, self promotion or asking for free stuff. Questions that can be answered with a simple Google/subreddit search.Requests - Including (but not limited to): Price checks, memory card or game recommendations.Pictures of a single game box or an unmeaningful screenshot.Please head to /r/PlayStation for these posts. No Telling users to download or otherwise illegally obtain copyrighted content. No asking for where to get Games, Roms, or BIOS images. Piracy is not allowed and may result in a possible subreddit ban. No enabling piracy, via discussion or otherwise. Rule 3: Piracy, or Distribution of copyrighted content. Any spoiler and NSFW posts not properly marked will be removed. What is reddiquette? Link Be nice to your fellow humans. Spoilers and NSFW must be properly marked. Posts must be related to PlayStation 2 and link directly to the source.Īll posts and comments must be related to PlayStation 2 and link directly to the source. I’m mainly trying to produce the correct midis for importing into musescore. OpenAudible 1 5 k An open source client for Audible Advertisement Download 83. But those are already in midi format which I can import into sheet music program like musescore. Then I get this metadata window that dioesn’t have the options or sds things, screen3.jpg.Īnd it’s for classical guitar mainly. screen.jpg below i can’t figure out how to attach inline like you didĪnd if I just try to export to any audio file as a test using other compressed file it uses wav format, screen2.jpg I have a MIDI organ performance that sounds terrific on my large, killer, floor-standing keyboard, but on my computer, sounds terrible. The interpreter, computer or keyboard makes the actual sound. You have to throw a MIDI “song” into a MIDI interpreter, computer or keyboard with MIDI input. I used to pick the wrong instrument just to hear what it sounded like.Īnd the last bit of this is the actual sound. You can use a MIDI editor and specifically tell the MIDI tune which instrument it is. OpenAudible is a user-friendly program that enables you to download, view, manage and connect your favorite books to MP3 so that you can enjoy them across all your devices. MIDI won’t play without the instrument listed. OK, listen to a piano and tell me which one of the first six MIDI pianos it is. These are the generally accepted MIDI instruments. You are asking the software to stand in the middle of an orchestra and at the end of the performance, race to a desk and write all the sheet music. You know MIDI isn’t music, right? It’s machine control. Roll down the Header listing and try SDS. There is no longer an “Options” selection. Is there a way to use audacity to convert a single instrument mp3 music file into a midi format file? MP3 files Eventually, there will also be a tool to convert existing m4b audio files into mp3. A forum elf has to read your message, so don’t double post. Settings > Basic Settings > Download my books as. Once you've discussed the context a bit, I'd ask your students a few questions: Several of these insights are inspired by Skye Jethani's book, What if Jesus Was Serious? A Visual Guide to the Teachings of Jesus We Love to Ignore - a great resource if you're interested in exploring the Sermon on the Mount in greater depth with your youth. Salt was more precious in Jesus' time, before the existence of refrigerators and other preservatives. Salt is both a preservative that prevents food from decaying and an enhancer that makes it taste better. Although we know the Kingdom of God will one day come more perfectly when Jesus returns, Jesus was already proclaiming that the Kingdom of God had come during his first earthly ministry (Mark 1:15). The Kingdom of Heaven (aka The Kingdom of God) is anywhere - in heaven or earth - where God's rule is established. When Jesus refers to "the Kingdom of Heaven," he's not just talking about going to heaven. Instead they are meant to point to the kinds of people who will end up experiencing a life of flourishing in Jesus' kingdom. In most cases, we don't necessarily need to "try" to do them. The Beatitudes (which is just a Latin word for "blessings") are not meant to be a list of rules that we perform in order to earn Jesus' approval. The word "blessed" is not the same word that would be used to say something like "God has blessed me with so much." Another way to translate it would be "fortunate" or perhaps even "lucky." It's a way of saying that you're in the right place to experience a good and flourishing life. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father who is in heaven. Nor do people light a lamp and put it under a basket, but on a stand, and it gives light to all in the house. You are the salt of the earth, but if salt has lost its taste, how shall its saltiness be restored? It is no longer good for anything except to be thrown out and trampled under people's feet. Rejoice and be glad, for your reward is great in heaven, for so they persecuted the prophets who were before you. Blessed are you when others revile you and persecute you and utter all kinds of evil against you falsely on my account. Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of heaven. Blessed are the peacemakers, for they shall be called sons of God. Blessed are the pure in heart, for they shall see God. Blessed are the merciful, for they shall receive mercy. Blessed are those who hunger and thirst for righteousness, for they shall be satisfied. Blessed are the meek, for they shall inherit the earth. Blessed are those who mourn, for they shall be comforted. And he opened his mouth and taught them, saying: “Blessed are the poor in spirit, for theirs is the kingdom of heaven. Seeing the crowds, he went up on the mountain, and when he sat down, his disciples came to him. This bookends well with what the prologue of Episode 1 of The Chosen Season 2 showed about the production of Scripture also being a process and should hopefully expand the way that your youth look at their own ability to contribute to Jesus' ongoing work today. For the most part, I want to focus on what seems to be the main thrust of the episode - that Jesus' moments of powerful teaching were not, as we might assume, simply an overflow of his own divine genius, but were rather the fruit of the collaboration of his entire team of disciples laboring together with him. But we'll hit on Judas only briefly below ( see my other post to explore how The Chosen adapts Judas' character). I've been looking forward to seeing how The Chosen would handle Judas' character and Episode 8 definitely left me intrigued. More than that, however, Episode 8 finally allows us to meet the last and most notorious of the 12 disciples, Judas Isacariot. Episode 8 is The Chosen Season 2 doing what The Chosen does best: providing emotional context for a Bible scene (the Sermon on the Mount). In some cases, the death of a parent can be a catalyst for positive change in the family dynamic.No matter how a family chooses to deal with the death of a loved one, it is important to remember that everyone grieves in their own way and there is no right or wrong way to do it. It can also be a time when the surviving spouse or children learn to become more independent. In many families, the death of a parent can bring siblings closer together as they lean on each other for support. While the death of a parent can be devastating, it can also be an opportunity for the surviving children to step up and show their strength. In such cases, the surviving spouse or children may be left to fend for themselves, both emotionally and financially. This can be especially true if the deceased was the primary breadwinner or caretaker in the family. 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HitTrax is the world's first and only baseball simulatorĪ powerful combination of analytics and entertainment that has never before been available to indoor facilities. and/or during access of the Companys HitTrax StatsCenter mobile device application (hereinafter Application), as well as how the information is used. Photo by Aimsel PontiĪnd then it was off to the “A Few Small Repairs” races, in sequential order, beginning with the aforementioned hit “Sunny Came Home.” Colvin’s voice sounded clear, strong and captivating and the sound in The Cabot was spot on. Shawn Colvin at The Cabot in Beverly, MA on 11/3/17. the show began not with something from “A Few Small Repairs” but rather a sublime tribute to Tom Petty (I still can’t believe he’s gone, can you?) in the form of “Wildflowers.” Well done, Colvin and company, very well done. “A Few Small Repairs” is a tremendous album and I think it was a damn fine idea for Colvin to take it on the road two decades later.Īt 9 p.m. Plus the artists always play more than just the album and it makes for a very engaging show. It’s “a thing” to do these tours and I for one think the concept is great. I saw Peter Gabriel do this a few years ago with “So” and Paula Cole last year with “This Fire.” Earlier this year I saw Brandi Carlile perform the entire “The Story” album at The Ryman as part of a handful of shows marking that record’s decade mark. I love it when acts do these kind of album anniversary tours and play entire albums. The reason for the tour was to celebrate the 20th anniversary of “A Few Small Repairs.” The album technically came out in ’96 but “Sunny Came Home” wasn’t released as a single until the summer of ’97 and became a very big damn deal winning a Grammy for Record of the Year and Song of the Year along with a nomination for Best Female Pop Vocal Performance. It was only fitting that these five were the musicians in Colvin’s band on this tour. All five of them are longtime pros who have played, recorded and toured with an encyclopedic list of big-time musicians. Campbell played guitar (and violin on one song) and Williams was on backing vocals. Michael Ramos played keys, fluegelhorn and melodica, Glenn Fukunaga was on bass and the drummer was Mike Meadows. And the theater itself is gorgeous and classic in that old theater way that can never quite be replicated with new buildings.Ĭolvin’s longtime friends and sometimes bandmates Teresa Williams and Larry Campbell opened the show with a terrific 40 minute set and retook the stage with Colvin and the rest of her band for a sensational two hour show. I call this a win for both The Cabot and City Winery because it was a bit of a schlep for people to get there who had originally planned on Boston but based on the audience responses I witnessed during the show, no one seemed to mind. Photo by Aimsel Pontiīetween the downstairs and balcony, the Cabot has a capacity of about 800 and it was probably 2/3 of the way full. My disappointment was short-lived because the Cabot is a classic old theater and it won me over the second I saw the retro marquis. The show was originally scheduled to happen at City Winery in Boston however construction delays (they hope to be open very soon) made a venue change necessary. Since then I’ve seen Colvin three or four more times and most recently was Friday night at The Cabot in Beverly, MA. Sometime around then was when I first saw her perform live and this further made me realize what an extraordinary talent she is because along with being so damn good with her guitar and vocals, she’s a hilarious and witty storyteller with stage presence to spare. In 1994 Colvin released Cover Girl” and the “Live in ’88” album the following year. From there I went backwards into her debut album from 1989, the dare I say iconic “Steady On.” It also made me an instant committed Colvin fan. Shawn Colvin first knocked my socks off in 1992 upon releasing “Fat City.” It’s an album I still consider to be perfect in every sense of the word. |
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